02-24-2018  8:05 pm      •     
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NEWS BRIEFS

Breaking Bread Breaking Barriers, Feb. 26

Monthly dinner aims to build relationships between communities of color and police ...

Local Group Researches African American Ancestry

This Genealogical Forum of Oregon special interest group holds monthly meetings ...

Last Day to Apply for Affordable Housing is Feb. 22

Longtime and displaced residents of N/NE Portland receive preference for new housing, apply before midnight Thursday ...

NAACP Announces Key Partnerships

Voter mobilization for 2018 midterm elections takes precedence among issues uniting groups ...

Winter Donations Needed, Warming Centers Open Through Thursday

Locals encouraged to check on neighbors, winter gear needed ...

U.S. & WORLD NEWS

OPINION

Painting President Obama's Portrait Was Life-Changing

Artist Kehinde Wiley represented the president's life using color, composition and flowers ...

Raising Emotionally Competent Children

Lynnette Monroe on how her grandparents taught her to love herself ...

Black Dollars Matter: The Sales Impact of Black Consumers

Black consumers are spending jumi.2 trillion annually and are demanding that brands speak to them in ways that resonate...

Guest Opinion: Skipper Osborne’s Testimony on HB 4005

In testimony to legislature, Osborne says bill could decrease access to important therapies ...

AFRICAN AMERICANS IN THE NEWS

ENTERTAINMENT

Singing group from Black Nativity
Kam Williams

Naima (Jennifer Hudson) is a single-mom struggling to pay the rent on the apartment she shares with son Langston (Jacob Latimore), 15, who’s the same age she was when she had him. Back then, she was as headstrong as he is now, which explains why she ran away from a good home in Harlem to raise him alone in Baltimore.

            Today, upon receiving an eviction notice, cash-strapped Naima reluctantly sends the rebellious adolescent in need of a father figure to New York to live with her parents, Aretha (Angela Bassett) and Reverend Cornell Cobbs (Forest Whitaker), prominent members of the black community. But Langston lands in trouble even before they have a chance to pick him up at the bus station, so they end-up having to bail him out of jail.

            Is it too late for anyone to make a difference in the rebellious juvenile delinquent’s life? Can the Cobbs mend the fractured relationship with their long-estranged daughter? Will Langston belatedly bond with the absentee father he’s never known?

            These are the pivotal questions raised in Black Nativity, a modern morality play based on the Langston Hughes musical of the same name. Adapted and directed by Kasi Lemmons (Eve’s Bayou), the film features an engaging soundtrack sprinkled with evocative onscreen performances by cast members including Mary J. Blige, Nas and Tyrese, though all pale in comparison to those by Jennifer Hudson.

            Fair warning to theatergoers ordinarily operating on CPT. Don’t take the risk of arriving too late to catch the incomparable diva’s unforgettable opener, “Test of Faith,” a showstopper every bit as memorable as her heartfelt rendition of “And I Am Telling You I’m Not Going” as Effie in Dreamgirls.   

            A timeless parable as memorable for its uplifting spirituals as for its moving message about the importance of faith and family.

Excellent (4 stars)

Rated PG for menacing, mature themes and mild epithets

Running time: 93 minutes

Distributor: Fox Searchlight 

Carpentry Professionals
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