NEW YORK (October 8, 2020) — Carla LynDale Bishop has been selected as the inaugural recipient of the MIT & Black Public Media Fellowship, hosted by MIT Open Documentary Lab and sponsored by MIT Center for Art, Science & Technology. Part of BPMplus — the Black Public Media (BPM) initiative focused on eliminating barriers for Black makers to help increase their participation in the world of emerging technology — the semester-long fellowship marks the first collaboration between the three partners. BPM is a Harlem-based nonprofit dedicated to creating content about the global, Black experience.
“Fellowships, incubators, residencies, and labs are important on-ramps for creatives to learn about emerging technologies, such as AI and XR, but many great programs have unintended barriers that discourage or prevent Black creatives from participating. Relocating for two weeks to a year is a typical requirement,” said Lisa Osborne, BPM’s director of emerging media. “Because of COVID-19, MIT OpenDocLab and BPM designed this fellowship to be entirely remote, a change which allowed our winner, Carla Bishop, to apply. It’s a structural tweak that I hope we can continue post-pandemic.”
“The quality of the makers who applied — from Uganda, Japan, Ethiopia, Brazil, Serbia, the UK and the U.S. — and the project ideas they submitted show that the issue is not a lack of Black tech talent, but the way that many of these programs are designed,” Osborne continued.
Bishop will use the Fellowship to develop her digital archive, Mapping Blackness, which preserves the frequently overlooked histories of small-town, Black America. Using ArcGIS StoryMaps, traditional documentary film, augmented reality, and 360 video, Bishop explores the stories of Black communities, such as Southeast Denton, Texas, and Twinsburg Heights, Ohio.
“Partnering with Black Public Media on this fellowship has been key. It’s been so instructive in helping us to understand some of the real barriers to entry for Black creatives and thinking of ways to reconstruct our fellowship program to increase their applications and their participation,” says Sarah Wolozin, director of MIT OpenDocLab. “The result speaks for itself. Carla Bishop’s project brings to light histories that could have been forgotten and lost using innovative approaches that speak to today’s youth. That’s exactly the kind of project that we want to support. We also could not have offered this fellowship without the support of MIT CAST. The three-way partnership is what made it work.”
Bishop is an assistant professor of digital storytelling and distribution at the University of Oklahoma-Norman. Her work as a filmmaker focuses on telling the stories of overlooked Black communities, while building bridges between older and younger people. She regularly recruits student filmmakers and young, community residents to help interview and record the stories of older residents in the communities she studies.
“With Mapping Blackness, my goal is to really honor Black communities and shine a spotlight on the everyday people who helped build them,” Bishop said.
“I want to celebrate them, highlight their impact and make it possible for their relatives and people around the world to share in their stories and experience these neighborhoods.”
MIT CAST also provided a generous, unrestricted grant of $7,500, atypical for such programs. Bishop will use the grant to do R&D on tech platforms for Mapping Blackness, as well as create pitch materials to help her raise long-term funding for the project.
“CAST is delighted to join forces with Black Public Media and Open Documentary Lab to bring rising talent in Black media production to MIT. Carla Bishop brings a distinctive voice to the extraordinary community of fellows that OpenDocLab brings together each year,” said Leila Kinney, MIT executive director of arts initiatives and CAST.
To learn more about the fellowship and other BPM programs and initiatives, visit www.blackpublicmedia.org or follow the hashtag, #bpmplus, on social media. Black Public Media is @blackpublicmedia on Instagram and Facebook and @BLKPublicMedia on Twitter.