06-28-2017  8:46 pm      •     
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NEWS BRIEFS

Local Government, Employers Welcome Youth to SummerWorks

A record 1,150 youth will gain real-world work experience in jobs across Portland metro ...

Multnomah County Library Hosts ‘We Refuse to Be Enemies’

Library will hold a series of social justice workshops this summer ...

The Skanner Wins NNPA Award for Best Layout and Design

Our graphic designer Patricia Irvin wins for July 2016 issues ...

Cooling Centers to open in Multnomah County Saturday, Sunday

Temperatures expected to climb into the upper 90s this weekend ...

Multnomah County Leaders Release Statement on Safety at Summer Events

Officials advise public to check in, have a plan and be aware at public events ...

U.S. & WORLD NEWS

OPINION

Ask Ernie the Attorney

Ernest Warren's primary practice is personal injury, real property, corporate and criminal practice in Ore. and Wash. ...

Our Children Deserve High Quality Teachers

It’s critical that parents engage with educational leaders and demand equal access to high quality teachers ...

Civil Rights Groups Ask for Broad Access to Affordable Lending

Charlene Crowell writes that today’s public policy housing debate is also an opportunity to learn from the mistakes of the past and...

Criminal Justice Disparities Present Barriers to Re-entry

Congressional Black Caucus Member Rep. Danny Davis (D-Ill.) writes about the fight to reduce disparities in our criminal justice...

AFRICAN AMERICANS IN THE NEWS

ENTERTAINMENT

La La Land movie

If you only see one movie this year, you need to get out more. That being said, “La La Land” is the picture to catch. This nostalgic homage to the Golden Age of Hollywood is a panoramic masterpiece which makes very effective use of every inch of the big screen.

Written and directed by Oscar-nominee Damien Chazelle (for “Whiplash”), the picture was shot in CinemaScope, a supposedly-obsolete technology that fell out of favor with filmmakers in the late Sixties. Here, Chazelle resurrects the wide-angled lens for a last hurrah in service of an old-fashioned musical unfolding against a breathtaking array of L.A. backdrops. La La also features an enchanting original score composed by Justin Hurwitz who collaborated with college classmate Damien on Whiplash as well as his debut offering, the deceptively-unassuming Guy and Madeline on a Park Bench.

This relatively-ambitious romantic romp revolves around Sebastian Wilder and Mia Dolan, struggling artists played to perfection by Ryan Gosling and Emma Stone, respectively. Their talented supporting cast includes J.K. Simmons, John Legend and Rosemarie DeWitt.

After a showstopping opening staged on a gridlocked freeway where stuck motorists suddenly break into song and dance, we're introduced to the likable leads. We learn that jazz pianist Sebastian's a purist playing for tips in dingy dives while trying to save enough cash to open his own nightclub. Mia's an aspiring actress who divides her time between fruitless auditions and a thankless job as a barista at a coffee shop right on the Warner Brothers lot.

Seb and Mia are strangers who initially experience only aggravation whenever their paths serendipitiously cross. Eventually, sparks do finally fly, which inspires them to belt out mellifluous and melancholy tunes. More importantly, they fall in love and encourage each other to pursue their elusive dreams.

Since it would be unfair to spoil any of the ensuing plot developments, suffice to say that Gosling and Stone are pure delight, whether warbling or just generating screen chemistry. A charming crowd-pleaser that richly deserves all the superlatives it's undoubtedly about to receive over the course of the upcoming awards season!

Excellent ★★★★
Rated PG-13 for profanity
Running time: 128 minutes
Distributor: Summit Entertainment / Lionsgate Films 

Director Damien Chazelle talks to Yahoo Movies about glamorizing L.A. traffic in the movie:

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