12-10-2017  8:31 pm      •     
MLK Breakfast
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NEWS BRIEFS

Q&A with Facebook's Global Director of Diversity Maxine Williams

A conversation on diversity and the tech industry ...

City Announces Laura John as Tribal Liason

Laura John brings an extensive background in tribal advocacy and community engagement to the city of Portland ...

Humboldt Sewer Repair Project Update: Dec. 4

Environmental Services continues to repair more than 3 miles of public sewer pipes ...

'Santaland' on Display at Oregon Historical Society

New exhibit features Santa’s throne, Rudolph, and elves from original Meier and Frank’s Santaland ...

GFO Hosts Personal Papers & Archiving Talk

First Mondays and free GenTalks at the GFO research library ...

U.S. & WORLD NEWS

OPINION

Payday Lenders Continue Attack on Consumer Protections

Charlene Crowell of the Center for Responsible Lending writes that two bills that favor predatory lenders has received bipartisan...

Hundreds Rallied for Meek Mill, but What About the Rest?

Lynette Monroe, a guest columnist for the NNPA Newswire, talks about Meek Mill, the shady judge that locked him up and mass...

Top 10 Holiday Foods to Avoid Feeding Your Pet

Dr. Jasmine Streeter explains why pampering pets with holiday treats can be dangerous (and pricey) ...

Why We Need More Black Men in Early Childhood Education

Royston Maxwell Lyttle discusses the importance of Black male teachers in early childhood education for the NNPA ESSA Media Campaign ...

AFRICAN AMERICANS IN THE NEWS

ENTERTAINMENT

Jackie movie
By Kam Williams | The Skanner News

How did Jackie Kennedy feel in the wake of her husband's assassination in Dallas on Nov. 22, 1963? That is the question explored in “Jackie,” a picture which paints a perceptive portrait of Camelot's First Lady by speculating about her mental state during the days immediately following the assassination of JFK (Caspar Phillipson). In that regard, this behind-the-scenes biopic is rather reminiscent of “The Queen” (2006) which presumed to provide a fly-on-the-wall's perspective of the goings-on inside Buckingham Palace after the untimely death of Princess Diana.

Directed by Pablo Larrain (Neruda), Jackie stars Academy Award-winner Natalie Portman (for “Black Swan”) in the title role. Portman is likely to garner another Oscar nomination for her very convincing impersonation of the readily-recognizable legend. For, she manages to replicate certain expected staples of the Jackie Kennedy iconography, such as the whispery voice and the pillbox hat, while simultaneously plumbing the depths of her complicated soul.

Consequently, we get a sense of the familiar public figure's internal angst in a variety of situations, such as when she had to break the news of their father's death to Caroline (Sunnie Pelant) and John-John (Aiden and Brody Weinberg). Or when she was being given the bum's rush out of the White House by incoming Lady Bird Johnson (Beth Grant), who was already thinking about replacing the drapes before JFK had been buried.

Fortunately, Jackie did have a shoulder to cry on in her hour of need. No, it was not brother-in-law Bobby (Peter Sarsgaard) who thought of her as a "silly, little debutante," but the Catholic priest (John Hurt) who served as her confidant and confessor. He helped Jackie summon up the strength and courage to accompany her husband's casket, by foot, in the funeral procession down Pennsylvania Avenue, despite fears of a copycat assassin.

Her faith faltering, Jackie freely admitted,, "I think God is cruel." She even wondered aloud whether she might have been better off marrying "an ordinary, lazy, ugly man." And while Jackie desperately grasps at straws to make sense of her unspeakable nightmare, the most comforting words her supportive cleric can find are "There are no answers in man's search for meaning."

A bittersweet drama effectively echoing the lyrics from the classic show tune Jackie identified as JFK's favorite, a week after his passing: "Don't let it be forgot, that once there was a spot, for one brief shining moment that was known as Camelot."

Excellent ★★★★
Rated R for profanity and brief graphic violence
Running time: 99 minutes
Distributor: Fox Searchlight Pictures

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