11-22-2017  3:52 pm      •     
MLK Breakfast
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NEWS BRIEFS

Kenton Library Hosts African American Genealogy Event Dec. 2

Stephen Hanks to present on genealogy resources and methods ...

PSU Hires New Police Chief

Donnell Tanksley brings policing philosophy rooted in community engagement to PSU ...

African American Portraits Exhibit at PAM Ends Dec. 29

Towards the end of its six month run, exhibit conveys the Black experience, late 1800s - 1990s ...

SEI, Sunshine Division Offer Thanksgiving Meals to Families in Need

Turkeys are being provided to fill 200 Thanksgiving food boxes for SEI families ...

NAACP Portland Monthly Meeting Nov. 18

Monthly general membership meeting takes place on Saturday, 12 - 2 p.m. ...

U.S. & WORLD NEWS

OPINION

Black Celebrities, Athletes and Politicians Must Respect the Black Press

Rosetta Miller-Perry discusses how Black celebrities snub the Black Press when they get “discovered” by the mainstream media ...

Local Author Visits North Portland Library

Renee Watson teaches students and educators about the power of writing ...

Is the FBI’s New Focus on “Black Identity Extremists” the New COINTELPRO?

Rep. Cedric L. Richmond (D-La.) talks about the FBI’s misguided report on “Black Identity Extremism” and negative Facebook ads. ...

ACA Enrollment Surging, Even Though It Ends Dec. 15

NNPA contributing writer Cash Michaels writes about enrollment efforts ...

AFRICAN AMERICANS IN THE NEWS

ENTERTAINMENT

By Kam Williams | The Skanner News

A still from the Mike Binder film 'Black or White.' Photo courtesy of Relativity Media

When Elliot Anderson’s (Kevin Costner) wife Carol (Jennifer Ehle) perishes in a tragic car accident, he suddenly finds himself facing the prospect of raising his 7 year-old granddaughter Eloise (Jillian Estell) alone. After all, the couple had originally assumed custody from the moment their own daughter died giving birth to the little girl, since the baby’s drug-addicted father (Andre Holland) was behind bars and totally unfit to be a parent.

Today, however, Elliot does have a drinking problem which proceeds to escalate out of control in the wake of his spouse’s untimely demise. And this state of affairs comes to the attention of Eloise’s fraternal grandmother, Rowena “Wee-Wee” Davis (Octavia Spencer), who soon resurfaces for the first time in years.

She approaches Elliot about setting up visitation, in spite of her son’s substance abuse problems, since Eloise has a lot of other relatives on her father’s side of the family eager to see her. But the wealthy, white lawyer balks at the very suggestion, presumably because they’re black and from the ‘hood, and he’s thus far managed to shield his relatively-privileged granddaughter from the ghetto and its host of woes.

Of course, Wee-Wee doesn’t take the rebuff sitting down, but rather prevails upon her attorney brother, Jeremiah (Anthony Mackie), to file suit. Next thing you know, the parties are slinging mud at one another in an ugly custody battle where Reggie is accused of being a crack head with a criminal record and Elliot is labeled a racist and an alcoholic. Responsibility for dispensing justice blindly falls to Judge Margaret Cummings (Paula Newsome), who might very well be a bit biased in favor of plaintiff Rowena, given that she’s also African-American and female.

All roads inexorably lead to a big courtroom showdown in Black or White, a cross-cultural melodrama written and directed by Mike Binder (Reign over Me). Ostensibly “inspired by true events,” the picture pits a couple of worthy adversaries against each other in Elliot and Wee-Wee, as capably played by Oscar-winners Kevin Costner (for Dances with Wolves) and Octavia Spencer (for The Help). 

Any lawyer worth his or her salt knows that you never ask a question on cross-examination that you don’t already know the answer to. Nonetheless, Jeremiah violates that cardinal rule by asking Elliot, “Do you dislike all black people?” This affords the just-disgraced granddad an opportunity to rehabilitate his tarnished image courtesy of a scintillating, self-serving soliloquy reminiscent of Jack Nicholson’s “You can’t handle the truth!” monologue in A Few Good Men.

If only the rest of this racially-tinged baby-daddy drama had matched that climactic moment in terms of intensity. Still, the film is worth the investment for veteran Costner’s vintage performance and for the way in which the timely script dares to tackle some tough social questions in refreshingly-realistic, if perhaps politically-incorrect fashion.

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Very Good (3 stars)

Rated PG-13 for profanity, fighting, ethnic slurs, and mature themes involving drugs and alcohol  

Running time: 121 minutes

Distributor: Relativity Media

To see a trailer for Black or White, visit:  https://www.youtube.com/watch?v=yqlE-7PP7Ho

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